‘The Story Of The Ashes And The Flame’ by Edwin Arlington Robinson

Another little treasure…

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No matter why, nor whence, nor when she came,
There was her place. No matter what men said,
No matter what she was; living or dead,
Faithful or not, he loved her all the same.
The story was as old as human shame,
But ever since that lonely night she fled,
With books to blind him, he had only read
The story of the ashes and the flame.

There she was always coming pretty soon
To fool him back, with penitent scared eyes
That had in them the laughter of the moon
For baffled lovers, and to make him think —
Before she gave him time enough to wink —
Her kisses were the keys to Paradise.

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Moonlit Apples by John Drinkwater

Not just a treasury but a very precious little treasure too. Published in 1947, the poems may no longer be quite so modern but they are still certainly beautiful. Here is one I particularly liked …. ‘deep is the silence.’

 

                     Moonlit Apples

At the top of the house the apples are laid in rows,
And the skylight lets the moonlight in, and those
Apples are deep-sea apples of green. There goes
A cloud on the moon in the autumn night.

A mouse in the wainscot scratches, and scratches, and then
There is no sound at the top of the house of men
Or mice; and the cloud is blown, and the moon again
Dapples the apples with deep-sea light.

They are lying in rows there, under the gloomy beams;
On the sagging floor; they gather the silver streams
Out of the moon, those moonlit apples of dreams,
And quiet is the steep stair under.

In the corridors under there is nothing but sleep.
And stiller than ever on orchard boughs they keep
Tryst with the moon, and deep is the silence, deep
On moon-washed apples of wonder.

Self-Portrait at 38 BY JENNIFER TONGE

There are lots of ways in which I can relate to the speaker of this poem who thinks that Courbet ‘might capture’ her. I’d like to think he’d paint me as ‘L’origine du Monde’:A scandalous gift for someone important to keep hidden behind a green curtain.

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An unused portion of ‘L’origine du Monde’ by Gustav Courbet

Hair still Titian,
but Botticelli’s grip has loosened—

not now Rubenesque,
and probably never;

Ingres approaches,
but Courbet might capture me.

Could I be surreal?
It seems almost likely—

bells in my ears
and fortresses under;

cones have been set on my eyes.
My spring is gone

and summer’s upon me,
rude in its ripening.

I’m espaliered, strung wide and tied,
pinioned, and thus can I fly.